Posted on by Cameron Tewson

When the runway show took place in January 2014, we were told a new form of elegance graced the runway with clean lines and nomadic surfaces unite to form intimate and archetypal dimensions. For the Salvatore Ferragamo 2014 winter collection, Massimiliano Giornetti explores the tactile sensuality of material and the organic quality of colour, envisaging a wardrobe where the purity of the tailoring stands out and is paramount to the intrinsic weaving.

I have been a major fan of Ferragamo for a long time now and am blessed to have picked this look in my first ever time in front of the camera for frontrowedit.co.uk on my Runway to Reality post.

My complete look is taken elements of my favourite looks from Massmilano’s FW14 show, shot in a juxtapositional background of a skate park North of London. My Jacket is Look three on the runway, my Sweater and Pants are look Two from the Fall Winter show.

The precise architecture of the construction, a defining trait of the Ferragamo lexicon, acquires a new height, suggesting a merging of the urban environment and a more intimate lifestyle where privacy contaminates the public domain and the calm of domesticity dilutes metropolitan rigour without eliminating it.

I hope you like the look and my images as much as I do and enjoyed taking them!


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About Cameron Tewson

Celebrating five years online, frontrowedit.co.uk, founded by Cameron Tewson in 2012, is an online media outlet which consists of his musings, thoughts and observations within the fashion industry; editing from both front row and backstage at shows across the globe. With an ever growing following from around the world, Cameron and his work on frontrowedit.co.uk has been named one of the top ten bloggers in the world. Cameron and has previously consulted and worked for brands as well as global organisations which only adds to the depth, style and insider knowledge., frontrowedit.co.uk is the number one destination for all things luxury including travel from Summer 2017. View all posts by Cameron Tewson →